Some images just stick with you; images like Geist und Blutlache, a spare but spooky portrayal of a ghost staring at a pool of blood. Or is it simply a kid wearing a bone white sheet, standing over a crimson-splashed slab of concrete? Whatever the case may be, Paul Duncan was so captivated by Katharina Fritsch’s work that it helped inspire the name of his equally haunting avant-pop project, Warm Ghost.
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