One year after the release of their critically heralded A Promise, Philly art-rockers The Chairman Dances are back with Michael and the Prophetess, a song cycle steeped in biblical language and set in a fictionalized 1950s era Brooklyn. Upping the ante from previous efforts, the album includes an arsenal of strings and brass that spin out recurring melodies, mirroring the narrative and giving a sense of wholeness and depth to the work. The crystalline production...
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