Whimsical, dithering, eschatological guitar pop from the puzzled brain of central Virginia's own Max Hoffman, accompanied by the inimitable Daniel Richardson and Garen Dorsey on drums and bass. Anonymous commentators have suggested that this music seeks to manifest Segovia's comparison of the guitar to an orchestra viewed through the wrong end of a telescope; but really it just sounds a bit like Built to Spill forgot their pedal boards.
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