After a period doing graphic design for hordes of Detroit techno releases, Sean Deason began working on production himself, first for K Hand's Acacia Records, but later for his own Matrix label under aliases such as Project X, Sounds Intangible Nature, Freq and X-313. His production style of driving minimalist funk with sublime, quintessentially Detroit melodies was later tempered by his inspiration from the British drum'n'bass scene, making Deason one of the few Motor City figures to integrate heavy breakbeats into his material.
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