Since the 1970s, Emilio Santiago has been an institution in brazilian music. One of the few artists to have remained signed to the national Som Livre label for over 10 years, Santiago carved out a career as the mums’ favourite crooner with his series of albums called ‘Aquarelas Brasileiras’ (‘brazilian watercolours’), a series that sold over 4 million copies and were guaranteed to fill the christmas stockings of everyone’s favourite auntie or grannie.
Noite de Madame Satã
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